French composer/conductor Paul Mauriat is a classically trained musician who decided to pursue a career in popular music. His first major success came in 1962, as a co-writer of the European hit "Chariot." In 1963, the song was given English lyrics, renamed "I Will Follow Him," and became a number one American hit for Little Peggy March. Mauriat is best remembered for his 1968 worldwide smash "Love Is Blue."

Heart is a studio album by French singer Amanda Lear, first released in 2001 by Le Marais Prod. The album was recorded in 2001 at Barouf Studio and Studio Wolf with French producers FX Costello and Laurent Wolf, and was Lear's first album ever to be recorded entirely in France. It was also her first studio release of new material in six years, since 1995's Alter Ego. In an interview, the singer explained that the long gap resulted from her lack of enthusiasm after numerous budget compilations started to appear on the market without her consent. She also revealed that on this album she was given more artistic freedom than before, and decided to include more melodic and sentimental songs. Lear stated that Heart was the album "she has always wanted to make" and that originally, she planned to called it Phoenix.

Plamp, a Swiss band only named after the first names of the musicians involved, came from the city of Chur and were around since the mid-70's as a quintet, Mario Giovanoli played flute and saxophone, Peter Toenz was on electric guitar, Peter Streiff on Hammond organ and piano, Louis Streiff on drums and Andrea Thoeny on bass, while all members contributed on the vocal parts.For their only release ''Und ueberhaupt …'', pressed privately and released sometime during year 1978, they were joined by Fortunat Froelich on cello and piano and Marc Keller on acoustic guitars. Plamp used the nearby Kraut Rock qualities in a lighter version to produce their own personal sound, obviously influenced by Folk, Jazz and Psychedelic Rock, and it's really amazing why the band remained so obscure, they were propably at the wrong place at the wrong time.

Morgenstund is the tenth studio album of the music project Schiller created by the German electronic musician Christopher von Deylen. The album was released on 22 March 2019. On this album, Schiller has collaborated with the singers Nena, Tricia McTeague, Yalda Abbasi, Schwarz, Jhyve and Rebecca Ferguson, the musicians Giorgio Moroder and Jan Blomqvist and the music group Tangerine Dream. It was released in different editions, including the limited "Ultra Deluxe Edition". A new studio album was originally scheduled for autumn 2018. The album was produced between 2017 and 2018. On 3 September 2018, Schiller announced officially the release of a new album and the rescheduling of the release date to spring 2019.

Freudiana was to be the 11th album by The Alan Parsons Project, but during its development, Eric Woolfson decided to turn the album into a rock opera. It was released as simply "Freudiana," and is known as the "unofficial" Alan Parsons Project album. Alan Parsons continued as a solo artist with the 1993 album Try Anything Once, which was musically in a direction more or less continued from that of 1987's Gaudi. Eric Woolfson hit upon the idea of researching the life and works of Sigmund Freud with a view to their musical potential after he finished the tenth Alan Parsons Project album Gaudi. He retraced Freud's footsteps and explored his realms through his homes in London and Vienna (both now museums) as well as literary sources including Freud's classic cases whose real identities he concealed by use of names such as Wolfman, Ratman, Dora, Little Hans, and Schreber, the Judge. In addition, Freud's writings on his discovery of the 'unconscious', his well known theories such as the 'Oedipus Complex', the 'Ego' and the 'Id' and perhaps his best known masterpiece, 'The Interpretation of Dreams' all served as springboards for musical ideas.

Dschinghis Khan (known in some countries as Genghis Khan) is a German Euro disco pop band. It was originally formed in Munich in 1979 to compete in the Eurovision Song Contest with their song "Dschinghis Khan". Their original eponymous song came in fourth place at the 1979 Eurovision Song Contest in Jerusalem. Appearing at the height of the disco boom and following on the heels of other German-produced bands such as Boney M, Arabesque, and Silver Convention, the band achieved wide popularity throughout the world, especially in Europe, Russia, and Japan, though they went wholly unnoticed in the United States. Their songs invariably were themed on historical figures and exotic cultures and locales.

Thirty years ago, U96 released the album "Das Boot". The title track of the same name stayed at number 1 in the German single charts for months and was sold more than a million times. More hits like "Club Bizarre" or "Love Religion" followed. At the end of the 90s, U96 finally went their separate ways. In the mid-10s, Hayo Lewerenz and Ingo Hauss revived the project and released two albums, including one with ex-Kraftwerker Wolfgang Flür. Now, together with actor Claude-Oliver Rudolph, "20.000 Meilen Unter Dem Meer", based on Jules Verne's classic of the same name, is thematically going back to the roots in the underwater world. On the occasion of the 30th anniversary of "Das Boot" there is also a FullDome Planetariums show in Hamburg, which offers a mixture of virtual underwater worlds passing by on LEDs, actors (including Claude-Oliver Rudolph) and live music.

Wolfgang Dauner's creativity is varied and, more than anything, unbroken. With this CD be has made get another important accent in his career. Wolfgang Dauner's touch is multi-faceted and has many realms of feeling. They range from the nervous touch ofa Hampton Hawes or Huss Freeman to the finesse of one such as Bill Evans. Many artists such as Elvin Jones, Albert Mangelsdorff and Eddie Gomez, with whom he plaged in a combo for years, have contributed towards his musical profile. I am always glad when I have the honorto play music with him once more. Emotional sound patterns, such as »Raga lntro« or »Hypnos«, document the broad range of expression which characterizes these recordings.

CREMATORY mark 30 years of German Gothic Metal greatness with Inglorious Darkness! Gothic Metal icons CREMATORY are an undeniable institution. Now, with more than 30 years in the scene, the band continues to showcase why they are heralded as one of the best of the genre with their new album, Inglorious Darkness, out May 27, 2022 via Napalm Records. After releasing 15 studio albums, three live albums, various compilations and splits, and performing hundreds of headliner shows and festivals around the globe, the band returns to their German roots on the album - not only presenting new songs performed in German, but furthermore, releasing a German version of their trademark track "Tears of Time", now entitled "Tränen der Zeit".

CREMATORY mark 30 years of German Gothic Metal greatness with Inglorious Darkness! Gothic Metal icons CREMATORY are an undeniable institution. Now, with more than 30 years in the scene, the band continues to showcase why they are heralded as one of the best of the genre with their new album, Inglorious Darkness, out May 27, 2022 via Napalm Records. After releasing 15 studio albums, three live albums, various compilations and splits, and performing hundreds of headliner shows and festivals around the globe, the band returns to their German roots on the album - not only presenting new songs performed in German, but furthermore, releasing a German version of their trademark track "Tears of Time", now entitled "Tränen der Zeit".

The album series "Die Einlassmusik" from Schiller started in 2004. The music is exclusively composed for the regular live tours from Schiller and is played there as pre-show introduction to make the waiting time for the audience more pleasant. All albums are (officially) only sold at the merchandising area of each concert and the online Schiller Shop.

After a relatively quick turnaround, German metal masters Rammstein added another highlight to their discography with eighth album Zeit. Like many other artists around the world, a postponed tour during the COVID-19 pandemic forced the band back to the studio to funnel their creative juices into a new album, erasing any fears that it'd be another decade before hearing a follow-up to 2019's Untitled. Much like that catalog triumph, Zeit is yet another step forward in artistic growth and maturity; it might even be Rammstein's most thoughtful and poignant record to date. Yes, even with a song titled "Dicke Titten" ("Big Tits"). The title track is a towering accomplishment of power and restraint, an unexpected meditation on time and aging that finds hulking frontman Till Lindemann contemplating mortality against a swelling backdrop of angst and drama provided by guitarists Paul Landers and Richard Z. Kruspe, bassist Oliver Riedel, drummer Christoph Schneider, and keyboardist Flake Lorenz.

Wolfgang Dauner has now been highly active on the scene for more than fifty years. Dauner hired top young musicians to be around him for the current upgrade to United 2.0. The second United generation, like the first one, is eagerly researching the crossing points between jazz, rock, funk and world music. Featuring some of the finest avant-garde jazz players from Germany and beyond the Ensemble began life in 1975. Pianist Wolfgang Dauner, initially recruiting musicians from his home base of Stuttgart (then a hotbed of avant-garde jazz), put together a rotating cast of musicians, and shared writing and arranging duties with guitarist Volker Kriegel. They recorded the first album under the United Jazz+Rock Ensemble name, Live im Schützenhaus, in 1977, to be released on the group's then founded Mood Records label. The album was a hit, eventually becoming the best-selling German jazz record of all times, and the Ensemble was awarded the "Deutscher Schallplattenpreis 1978" for artist of the year, followed by another 14 albums plus a variety of international collaborations.

Falco was the most internationally successful pop artist ever to come out of Austria. Falco had several international hits, "Rock Me Amadeus", "Der Kommissar", "Vienna Calling", "Jeanny", "The Sound of Musik", "Coming Home (Jeanny Part II, One Year Later)", and posthumously "Out of the Dark". "Rock Me Amadeus" reached No. 1 on the Billboard charts in 1986, making him the only artist whose principal language was German to score a vocal number-one hit in the United States. According to his estate, he has sold 20 million albums and 40 million singles, which makes him the best-selling Austrian singer of all time.

After Arthur Brown briefly ascended to stardom via the Crazy World of Arthur Brown's only album, it was a long three-year gap until the release of the next LP bearing his lead vocals, Kingdom Come's Galactic Zoo Dossier. (Although the material on Brown's Strangelands had been recorded in the interim, that record wasn't released until the late '80s.) And if not for Brown's immediately recognizable vocal histrionics, it could be the work of an entirely different artist. The Crazy World of Arthur Brown's exhilaratingly jazzy, madcap psychedelia had been jettisoned for far darker excursions into mordant early progressive rock. While there was still a carnivalesque classical-jazz-rock organ base to the arrangements, guitar also took a prominent role, and the melodies were far gloomier and more obtuse.