Stichworte
Stichworte

Philip Pickett, New London Consort - Carmina Burana [4CDs] (1994)

Gesendet von: ArlegZ
Philip Pickett, New London Consort - Carmina Burana [4CDs] (1994)

Philip Pickett, New London Consort - Carmina Burana [4CDs] (1994)
EAC | FLAC | Image (Cue & Log) ~ 1.07 Gb | Total time: 255:10 | Scans included
Classical | Label: L'Oiseau-Lyre | # 443 143-2 | Recorded: 1987, 1988, 1989

The Carmina Burana is the most famous of all treasuries of medieval Latin and Middle High German poetry, named after the Bavarian monastery where it was compiled and preserved. It is best known today for Carl Orff's hour-long selection from it's rich collection of love lyrics, student songs and religious poetry written in Latin and old German. During the 1960s and 70s a few early-music ensembles made more or less successful efforts to capture the unique mix of secular and sacred idioms brought together by the original manuscripts.

In Extremo - Mein Rasend Herz (2005) [Limited Edition]

Gesendet von: cha77os
In Extremo - Mein Rasend Herz (2005) [Limited Edition]

In Extremo - Mein Rasend Herz (2005) [Limited Edition]
Germany | MP3 CBR 320 Kbps | 210 MB
Medieval Folk Rock | Label : Universal

Mein rasend Herz is the fifth studio album by the German band In Extremo. It was released on May 30, 2005 through Universal Records. The limited-edition disc also features the German version of "Liam".

Schiller - Summer in Berlin (2021)

Gesendet von: v3122
Schiller - Summer in Berlin (2021)

Schiller - Summer in Berlin (2021)
Stream | Flac(Image) + Cue & MP3 CBR 320Kbps
2xBlu-ray: MPEG-4 AVC 1080i, 25 fps, 16:9, High Profile 4.1
LPCM 2.0, 48 kHz, 24-bit / DTS-HD MA 5.1, 48 kHz, 4515 kbps
Dolby TrueHD/Atmos Audio 7.1, 48 kHz, 4342 kbps, 24-bit
Electro, Downtempo, Synth-pop | 05:42:40 + 01:58:29 | ~ 89.81 Gb

Summer in Berlin is the eleventh studio album of the music project Schiller, created by the German electronic musician Christopher von Deylen. The album was released on February 12, 2021. On this album Schiller has collaborated with the singers Tricia McTeague and Janet Devlin, the musician Quaeschning from Tangerine Dream and the music group Alphaville…

Marc Soustrot, Orchester der Beethovenhalle Bonn, Kölner Rundfunkchor - Beethoven: Leonore (version 1806) (1998)

Gesendet von: ArlegZ
Marc Soustrot, Orchester der Beethovenhalle Bonn, Kölner Rundfunkchor - Beethoven: Leonore (version 1806) (1998)

Marc Soustrot, Orchester der Beethovenhalle Bonn, Kölner Rundfunkchor - Beethoven: Leonore (version 1806) (1998)
EAC | FLAC | Image (Cue & Log) ~ 552 Mb | Total time: 75:07+70:25 | Scans included
Classical | Label: MDG | # 337 0826-2 | Recorded: 1997

This extraordinary CD features an interesting chapter in music history that has given rise to many a speculation: Ludwig van Beethoven’s only opera, Leonore, in the world-premiere recording of the version of 1806.

Marc Albrecht, Netherlands Philharmonic Orchestra - Richard Strauss: Elektra (2012)

Gesendet von: ArlegZ
Marc Albrecht, Netherlands Philharmonic Orchestra - Richard Strauss: Elektra (2012)

Marc Albrecht, Netherlands Philharmonic Orchestra - Richard Strauss: Elektra (2012)
EAC | FLAC | Image (Cue & Log) ~ 475 Mb | Total time: 102:59 | Scans included
Classical | Label: Challenge Classics | # CC72565 | Recorded: 2011

This recording of Richard Strauss's opera Elektra by De Nederlandse Opera (The Netherlands Opera) was made in November 2011 at the Amsterdam Music Theatre. In addition to an impressive cast, it features the Netherlands Philharmonic Orchestra and the Toonkunst Choir Amsterdam conducted by Marc Albrecht.

Hermann Max, Das Kleine Konzert, Rheinische Kantorei - Der Jenaische Wein- & Bierrufer (2001)

Gesendet von: ArlegZ
Hermann Max, Das Kleine Konzert, Rheinische Kantorei - Der Jenaische Wein- & Bierrufer (2001)

Hermann Max, Das Kleine Konzert, Rheinische Kantorei - Der Jenaische Wein- & Bierrufer: Musical Humor with the Bach Family (2001)
EAC | FLAC | Image (Cue & Log) ~ 287 Mb | Total time: 64:50 | Scans included
Classical | Label: CPO | # 999 797-2 | Recorded: 2001

It is mentioned in almost all biographies of Johann Sebastian Bach: Bach was part of a large family of musicians and at festive gatherings the musical gifts were used to increase the revelry. We know, for example, an occasional piece by Bach about the departure of a brother, in which the wailing of the family who stayed behind, the dangers of the journey and the sound of the post horn (as a sign of the departure of the stagecoach) are portrayed in a humorous way.

Ludger Remy, Michaelstein Telemann Chamber Orchestra - Telemann: Die Auferstehung; De Danske, Norske og Tydske (1999)

Gesendet von: ArlegZ
Ludger Remy, Michaelstein Telemann Chamber Orchestra - Telemann: Die Auferstehung; De Danske, Norske og Tydske (1999)

Ludger Rémy, Michaelstein Telemann Chamber Orchestra - Telemann: Die Auferstehung; De Danske, Norske og Tydske Undersaatters Glaede (1999)
EAC | FLAC | Image (Cue & Log) ~ 260 Mb | Total time: 60:32 | Scans included
Classical | Label: CPO | # 777 634-2 | Recorded: 1998

Georg Philipp Telemann's late work is almost inexhaustible in terms of surprises. How many times have I written this and yet I am not yet embarrassed to proclaim it again. With which creative power the 80 year old opens new worlds of expression at the end of the 18th century, one can only be astonished by his last oratorios. One of the very last - from 1761 - is his Easter oratorio "Die Auferstehung" (not to be confused with the "Auferstehung und Himmelfahrt Jesu", 1760). There is no longer a rigid sequence of recitatives and arias: flexible, almost through-composed, the music follows the strong affects of the (excellent) libretto, always in search of unconventional means of expression, such as a dramatic accompaniment, accompanied only by a highly virtuosic solo violin becomes. Or the beginning of the words: "Du tiefe, tote, grauenvolle Stille" …

Ludger Rémy, Telemann-Kammerorchester Michaelstein - Telemann: Der Messias; Concerti (2003)

Gesendet von: ArlegZ
Ludger Rémy, Telemann-Kammerorchester Michaelstein - Telemann: Der Messias; Concerti (2003)

Ludger Rémy, Telemann-Kammerorchester Michaelstein - Telemann: Der Messias; Concerti (2003)
EAC | FLAC | Image (Cue & Log) ~ 271 Mb | Total time: 57:36 | Scans included
Classical | Label: SPO | # 999 847-2 | Recorded: 2001, 2002

Georg Philipp Telemann based his compositions on several texts by Friedrich Gottlieb Klopstock. Most well-known (at least theoretically) are his settings of parts of the first and the tenth song of the Messiah, which were created in the 1750s and were presented in 1759 in the Hamburg Drillhaus a larger public. Telemann was thus the first to validly transform parts of this famous epic into a musical form. It is quite likely that Telemann and Klopstock met in person, especially since Telemann showed great interest in the latest literary trends up to the very last age. For Telemann, it would have been a challenge to try a poetry written in strict hexameters, which was so completely different from the usual cantata texts.

Nicholas McGegan, Lorraine Hunt, David Bowles - Bach: Clavierbüchlein für Anna Magdalena Bach (1991)

Gesendet von: ArlegZ
Nicholas McGegan, Lorraine Hunt, David Bowles - Bach: Clavierbüchlein für Anna Magdalena Bach (1991)

Nicholas McGegan, Lorraine Hunt, David Bowles - Bach: Clavierbüchlein für Anna Magdalena Bach (1991)
EAC | FLAC | Image (Cue & Log) ~ 361 Mb | Total time: 74:20 | Scans included
Classical | Label: Harmonia Mundi | # HMU 907042 | Recorded: 1990

We can readily imagine with what modest pride the 40-year-old Bach presented his second wife Anna Magdalena with this most delightful of all domestic scrapbooks. Bach himself started it off for her with two of the keyboard Partitas (A minor, BWV827 and E minor, BWV930) which later formed part of the collection published as the composer's Op. 1 in 1731. Thereafter it was up to Anna Magdalena herself to choose and to enter little compositions which made particular appeal. Not all the music by any means is by her husband and there are pieces for example by Couperin, Bohm, Stolzel, Hasse and her stepson Carl Philipp Emanuel as well as several by anonymous composers.

Neu! - Albums Collection 1972-2010 (4CD) Japanese Mini-LPs, Remastered Reissue 2012

Gesendet von: Designol
Neu! - Albums Collection 1972-2010 (4CD) Japanese Mini-LPs, Remastered Reissue 2012

Neu! - Albums Collection 1972-2010 (4CD)
Japanese Mini-LPs, Remastered Reissue 2012

EAC | FLAC | Tracks (Cue&Log) ~ 1.1 Gb | Mp3 (CBR320) ~ 547 Mb | Scans included
Genre: Krautrock, Experimental Electronic, Proto-Punk, Art Rock | Time: 02:55:20

Minimalist, rhythmic electronic band whose Motorik style became a major influence on artists ranging from David Bowie to Sonic Youth to Stereolab. Collection includes: Neu! (1972); Neu! 2 (1973); Neu! '75 (1975); Neu! '86 (2010).

Ludger Rémy, Telemann Kammerorchester Michaelstein - Telemann: Der Tod Jesu (2000)

Gesendet von: ArlegZ
Ludger Rémy, Telemann Kammerorchester Michaelstein - Telemann: Der Tod Jesu (2000)

Ludger Rémy, Telemann Kammerorchester Michaelstein - Telemann: Der Tod Jesu (2000)
EAC | FLAC | Image (Cue & Log) ~ 336 Mb | Total time: 76:12 | Scans included
Classical | Label: CPO | # 999 720-2 | Recorded: 1999

There's nothing meek or morbid about Telemann's 'Jesu' in this passion oratorio. This is a confident muscular Jesu, closer to the Saxon Heliand than to the Man of Sorrows depicted on the CD cover; the first aria proclaims Him a hero: "Du Held… du kannst und willst mein Schutzgott sein." (You Hero… you can and will be my Protector-God.) Before that, the Siegfriedesque cantabile for horn that opens the composition sounds not so much like a lament as a call to don one's spiritual armor, and throughout the whole text Jesu is portrayed as indomitable amid the torment and agony of his followers. Specifically, He is the Lion of Judah, the model of Christian fortitude against all enemies.

Jan Willem de Vriend, Stavanger Symphony Orchestra & Mari Eriksmoen - Arias and Overtures (2021)

Gesendet von: delpotro
Jan Willem de Vriend, Stavanger Symphony Orchestra & Mari Eriksmoen - Arias and Overtures (2021)

Jan Willem de Vriend, Stavanger Symphony Orchestra & Mari Eriksmoen - Arias and Overtures (2021)
MP3 CBR 320 kbps | 01:10:32 | 162 Mb
Classical, Vocal | Label: Challenge Classics

The profile of Norwegian soprano Mari Eriksmoen continues to rise through her regular appearance on Europe’s major opera, concert and recital stages, and she is consistently praised for her compelling blend of radiant stage personality and purity of vocal tone. This is her first opera arias recital and is focused on Handel and Mozart. Previously on disc, Eriksmoen features on Schumann’s Szenen aus Goethes Faust with Symphonieorchester des Bayerischen Rundfunks under Daniel Harding, Mozart’s Die Entführung aus dem Serail, both with Akademie für alte Musik Berlin under René Jacobs and Glyndebourne Festival conducted by Robin Ticciati, and in a ​“poised, elegant and persuasive” (Guardian) debut recital disc featuring songs by Grieg, Grøndahl, Wolf and Strauss with Alphonse Cemin (Alpha).

BlutEngel - In Alle Ewigkeit (2015)

Gesendet von: v3122
BlutEngel - In Alle Ewigkeit (2015)

BlutEngel - In Alle Ewigkeit (2015)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Out Of Line, OUT 747 | ~ 320 or 113 Mb | Scans Included
Darkwave / Synth-Gothic

Blutengel (German: Blood Angel) is a German eurodisco musical group. It was formed by singer Chris Pohl (also of the groups Terminal Choice, Tumor, and Miss Construction and the owner of the Fear Section label) after he had to leave Seelenkrank due to contractual and legal problems. The lyrics are written primarily in German and English and are presented with male and female vocals…

Michael Schneider, La Stagione - Telemann: Don Quichotte auf der Hochzeit des Comacho (1993)

Gesendet von: ArlegZ
Michael Schneider, La Stagione - Telemann: Don Quichotte auf der Hochzeit des Comacho (1993)

Michael Schneider, La Stagione - Telemann: Don Quichotte auf der Hochzeit des Comacho (1993)
XLD | FLAC | Image (Cue & Log) ~ 359 Mb | Total time: 58:41 | Scans included
Classical | Label: CPO | # 999 210-2 | Recorded: 1993

Around the middle of it 18th century began a basic stylistic A radical change in the history of music: the Baroque took its farewell and classical music made its entrance. Georg Philipp Telemann was one of the first to perceive and enthusiastically take up the new, fresh wind. At an age at which others have long since retired, a second creative spring almost began for him: the German Singspiel had just been launched by composers of the young generation, such as Hiller and Dittersdorf, the 80-year-old Telemann sits down with a 20-year-old librettist and sets the story of "Don Quixote at the Marriage of Comacho" to music full of wit and grace.

Klaus Mertens, Ludger Rémy - Telemann: Oden 1741 (2003)

Gesendet von: ArlegZ
Klaus Mertens, Ludger Rémy - Telemann: Oden 1741 (2003)

Klaus Mertens, Ludger Rémy - Telemann: Oden 1741 (2003)
XLD | FLAC | Image (Cue & Log) ~ 362 Mb | Total time: 69:08 | Scans included
Classical | Label: CPO | # 999 816-2 | Recorded: 2001

Mit seinen Vier und zwanzig theils ernsthaften, theils scherzenden Oden reagierte Telemann 1741 auf die ein Jahr zuvor erschienene Sammlung des Bach-Schülers Lorenz Christoph Mizler, die einige Satzfehler aufwiesen und auch sonst nicht alle Kriterien, an denen man Odenvertonungen messen sollte, erfüllen konnten. Wie schwierig es ist, einfach, aber gehaltvoll zu komponieren, musste allerdings auch Telemann erfahren, der in seiner Vorrede bekennt, dass er die Arbeit nur „mit sehr viel Schweisse“ zuwege gebracht habe. Erhöht wurde die Schwierigkeit durch die Aufgabe, daß die Melodie zu allen Strophen passen soll.