Dabringhaus & Grimm has already issued an excellent Bruch disc that couples the Second Symphony with the Third Violin Concerto and this collection of pieces is indeed very welcome. The Swedish Dances had not been hitherto recorded since Kurt Masur's set on Philips and Hanson compares well with that excellent version. There is brilliant colour and energy in the music that is well portrayed and brought out by this orchestra.

During his lifetime Odysseus was one of Bruch’s most frequently performed and highly regarded works: the influential English critic J. A. Fuller-Maitland thought it his masterpiece, and Brahms admired it greatly. It was a very successful performance of Odysseus in Liverpool in 1877 that led three years later to Bruch’s appointment as Director of the Philharmonic Society there. It is an oratorio, not an opera (subtitled Scenes from the Odyssey), and one reason for its decline into obscurity may be that for such a subject it is often undramatic, in word-setting (sometimes rather square and inexpressive) and in its choice of episodes: Odysseus’s return to Ithaca, and the jubilation over his rout of the suitors are portrayed, but not Penelope’s recognition of him nor the fight itself. There is no narrator, and there are very few dramatic links between the 12 self-contained sections.