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Renée Fleming, Metropolitan Opera Orchestra - Greatest Moments at the Met (2022)

Gesendet von: ArlegZ
Renée Fleming, Metropolitan Opera Orchestra - Greatest Moments at the Met (2022)

Renée Fleming, Metropolitan Opera Orchestra - Greatest Moments at the Met (2022)
EAC | FLAC | Image (Cue & Log) ~ 589 Mb | Total time: 02:23:48 | Scans included
Classical | Label: Decca | # 485 3569 | Recorded: 1994-2015

This first-ever, specially remastered collection compiles highlights chosen by Renée of her “most magical experiences”, captured live on stage in this pinnacle of opera houses. Produced by GRAMMY-winning David Frost, the collection features duets with Cecilia Bartoli, Susan Graham, Dmitri Hvorostovsky, Samuel Ramey, Bryn Terfel & more. Since her 1991 debut when she stepped in for Felicity Lott, Renée has performed on the MET stage over 250 times and describes the MET as “my musical home, the theater where I feel welcome amongst friends – backstage, onstage, and in the audience.” Renée will return to the MET on 22 November for the world premiere work by Kevin Puts, The Hours, with Joyce DiDonato & Kelli O’Hara.

Simone Kermes Collection [12CDs] (2003-2019)

Gesendet von: Vilboa
Simone Kermes Collection [12CDs] (2003-2019)

Simone Kermes Collection [12CDs] (2003-2019)
EAC | FLAC | Image (Cue & Log) ~ 4,05 Gb | Total time: 14 h 26 min | Scans included
Classical | Label: Sony Music | Recorded: 2002-2018

Known for her idiosyncratic performances of baroque repertoire and eccentric personal style, the German coloratura soprano Simone Kermes trained in her native Leipzig, with early successes including the International Johann Sebastian Bach Competition. Bach has not, however, figured prominently in her career since then – Kermes gravitated towards Vivaldi, Handel and the Neapolitan composers who wrote for the great castrati, such as Riccardo Broschi, Alessandro Scarlatti and Porpora. (She has recorded several solo albums of such repertoire for Sony, including Dramma, and Colori d’Amore – reviewing the latter, BBC Music Magazine described her as ‘a remarkable artist, charming, fascinating and boldly risk-taking by turns’).