Stichworte
Stichworte
April 2024
So Mo Di Mi Do Fr Sa
31 1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30 1 2 3 4
https://canv.ai/
The picture is generated by canv.ai

We are excited to announce that Canv.ai now features a built-in translator, allowing you to communicate in your native language. You can write prompts in your language, and they will be automatically translated into English, facilitating communication and the exchange of ideas!

We value freedom of speech and guarantee the absence of censorship on Canv.ai. At the same time, we hope and believe in the high moral standards of our users, which will help maintain a respectful and constructive atmosphere.


👉 Check for yourself!

Christine Schäfer, Karita Mattila, Berliner Philharmoniker, Claudio Abbado - R. Strauss: Orchestral songs (2008)

Gesendet von: tirexiss
Christine Schäfer, Karita Mattila, Berliner Philharmoniker, Claudio Abbado - R. Strauss: Orchestral songs (2008)

Christine Schäfer, Karita Mattila, Berliner Philharmoniker, Claudio Abbado - R. Strauss: Orchestral songs (2008)
EAC | FLAC (image+.cue, log) | Covers Included | 65:27 | 268 MB
Genre: Classical | Label: Eloquence | Catalog: 4800414

What sort of voice did Pauline Strauss have? She was a professional singer when she first met Richard Strauss and he seems have been inspired by her voice, writing a considerable number of songs for her. Before she retired from stage she had sung Elisabeth (Tannhäuser), Agathe (Die Freischutz), Leonore (Fidelio) and Donna Anna which implies a voice of some size. But elsewhere she is described as having a voice which was neither large nor beautiful. It should be admitted that the majority of songs which Strauss wrote for her were lieder, with just piano accompaniment.