This is a grand, satisfying performance on almost every count. Its stature allows me for the moment to put aside the baggage of all earlier recordings and assess it on its own merits alone. In the first place, following on his successful Rheingold (Decca, 11/95), Dohnanyi conducts a well-paced, thought-through reading that at once creates dramatic excitement and attends to the longer view. From the opening storm right through to the Magic Fire Music there’s a welcome sense of forward movement everywhere, except in the middle of Act 2 where in places Dohnanyi slows down inordinately, allowing the score to become momentarily becalmed.

Christoph von Dohnanyi is one of those conductors, like Wolfgang Sawallisch, Rafael Kubelik and Josef Keilberth, who were relatively ignored by the journalist school of music critics and later, usually after they are dead, lauded to the skies as undiscovered geniuses of the podium. Well, Maestro Dohnanyi is alive and well and with us and still conducting, mostly at the Zurich opera, and it is a good thing that his performances are being filmed, if not recorded, for posterity because he is a giant of the operatic podium, especially in the operas of Richard Strauss and Richard Wagner.