Stichworte
Stichworte
Mai 2024
So Mo Di Mi Do Fr Sa
28 29 30 1 2 3 4
5 6 7 8 9 10 11
12 13 14 15 16 17 18
19 20 21 22 23 24 25
26 27 28 29 30 31 1
https://pbusa.top/

Have you ever wondered what Marilyn Monroe, Pamela Anderson, Dolly Parton, Farrah Fawcett, and Cindy Crawford all have in common? It's not just their legendary status in the entertainment industry - they've all graced the pages of Playboy Magazine at some point in their illustrious careers. Experience the timeless allure of these global icons and many more in the complete Playboy Archive!

Complete Playboy Archive
Now with FREE DOWNLOAD!

Monica Groop, Juha Kangas, Ostrobothnian Chamber Orchestra - Johann Sebastian Bach: Alto Cantatas (1998)

Gesendet von: ArlegZ
Monica Groop, Juha Kangas, Ostrobothnian Chamber Orchestra - Johann Sebastian Bach: Alto Cantatas (1998)

Monica Groop, Juha Kangas, Ostrobothnian Chamber Orchestra - Johann Sebastian Bach: Alto Cantatas (1998)
EAC | FLAC | Image (Cue & Log) ~ 322 Mb | Total time: 71:07 | Scans included
Classical | Label: Finlandia Records | # 3984-25325-2 | Recorded: 1998

There are four surviving church cantatas by Bach for solo alto voice. One, Wiederstehe doch der Sünde BWV54 was probably composed in 1714. The other three were all written in 1726, after Bach had taken up his appointment at St. Thomas’s, Leipzig, and so it is a sensible idea to group them on one CD.

Frieder Bernius, Kammerchor Stuttgart - Felix Mendelssohn Bartholdy: Magnificat; Kirchenwerke VIII (2008)

Gesendet von: ArlegZ
Frieder Bernius, Kammerchor Stuttgart - Felix Mendelssohn Bartholdy: Magnificat; Kirchenwerke VIII (2008)

Frieder Bernius, Kammerchor Stuttgart, Deutsche Kammerphilharmonie Bremen - Felix Mendelssohn Bartholdy: Magnificat; Kirchenwerke VIII (2008)
EAC | FLAC | Image (Cue & Log) ~ 326 Mb | Total time: 69:00 | Scans included
Classical | Label: Carus | # CAR 83.216 | Recorded: 2008

The Magnificat and Gloria, written in 1822, are Mendelssohn’s first large-scale works which he composed for reasons other than study purposes. The influence of the intense cultivation of Bach by his teacher, Carl Friedrich Zelter, and the Berlin Sing-Akademie are clearly evident, as in the later chorale cantatas. The masterful 19-voice motet, Tu es Petrus, which Mendelssohn gave his sister as a birthday present, he had planned to publish as his very first sacred work. Frieder Bernius and the Kammerchor Stuttgart present a further addition to their model, prizewinning CD series of Mendelssohn’s complete sacred works.