Stichworte
Stichworte
Juni 2024
So Mo Di Mi Do Fr Sa
26 27 28 29 30 31 1
2 3 4 5 6 7 8
9 10 11 12 13 14 15
16 17 18 19 20 21 22
23 24 25 26 27 28 29
30 1 2 3 4 5 6

The picture is generated by canv.ai

We're thrilled to share that Canv.ai now includes an integrated translator, enabling you to converse in your mother tongue. You have the freedom to draft prompts in your language, and they will be seamlessly converted to English, promoting dialogue and idea sharing!

We uphold the principle of free speech and assure no censorship on Canv.ai. Concurrently, we trust in our users' high ethical values, which we believe will foster a respectful and constructive environment.


👉 Check for yourself!

Kiri Te Kanawa, Hagegard, Wiener Philharmoniker, Ulf Schirmer - Richard Strauss: Capriccio (1996) 2CD, Reissue 2009

Gesendet von: Designol
Kiri Te Kanawa, Hagegard, Wiener Philharmoniker, Ulf Schirmer - Richard Strauss: Capriccio (1996) 2CD, Reissue 2009

Richard Strauss - Capriccio (1996) 2CD, Reissue 2009
Kiri Te Kanawa, soprano; Håkan Hagegård, baritone
Wiener Philharmoniker, conducted by Ulf Schirmer

EAC | FLAC | Image (Cue&Log) ~ 596 Mb | Mp3 (CBR320) ~ 328 Mb | Scans included
Genre: Classical, Opera | Label: DECCA | # 478 0333 | Time: 02:19:18

The discography of Strauss’s last opera is not exactly crowded, but the two existing accounts provide formidable competition for any newcomer. First there was Sawallisch, conducting the Philharmonia for EMI in 1957 (unfortunately in mono) and a cast led by Schwarzkopf, Ludwig and Fischer-Dieskau. Then, in 1971, came that other supreme Straussian, Karl Böhm, with Janowitz, Troyanos and (again) Fischer-Dieskau, recorded in Munich for DG. The new Decca set brings together many of today’s leading exponents of Strauss’s roles, dominated, for me, by the unsurpassed Clairon of Brigitte Fassbaender, now alas, never to be heard on stage again following her retirement. Heilmann and Bär make an ardent pair of rival suitors, Hagegård an admirable Count and Halem a sonorous, characterful La Roche. (There is a delightful link with the past history of the opera in the person of Hans Hotter: he sang Olivier in the 1942 premiere, La Roche in the 1957 Sawallisch set, and here, at 84 when recorded in December 1993, a one-line cameo as a servant.) For many, though, the set’s desirability will rest on Te Kanawa’s Countess.