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Bernard Haitink, Concertgebouw Orchestra - Shostakovich: Symphony No. 14; 6 Poems of Marina Tsvetaeva (1986)

Gesendet von: ArlegZ
Bernard Haitink, Concertgebouw Orchestra - Shostakovich: Symphony No. 14; 6 Poems of Marina Tsvetaeva (1986)

Bernard Haitink, Concertgebouw Orchestra - Shostakovich: Symphony No. 14; 6 Poems of Marina Tsvetaeva (1986)
EAC | FLAC | Image (Cue & Log) ~ 277 Mb | Total time: 72:05 | Scans included
Classical | Decca | 417 514-2 | Recorded: 1980, 1983

Despite the fact that there are multiple recordings of Shostakovich's deeply moving Symphony No. 14, this rather old but remastered recording is unique in the quality of performance: Bernard Haitink conducts his Concertgebouw Orchestra and elected to use non-Slavic singers Julia Varady and Dietrich Fischer-Dieskau who in turn sing the poems in their original languages rather than the Russian translations used in the original premiere. The effect is staggeringly beautiful and if one must choose a single recording of this symphony, this would be the one that captures the essence of Shostakovich's vision.

Bernard Haitink, Concertgebouw Orchestra, Amsterdam - Mahler: Symphony No. 3, Das Klagende Lied (2006)

Gesendet von: ArlegZ
Bernard Haitink, Concertgebouw Orchestra, Amsterdam - Mahler: Symphony No. 3, Das Klagende Lied (2006)

Bernard Haitink, Concertgebouw Orchestra, Amsterdam - Mahler: Symphony No. 3, Das Klagende Lied (2006)
EAC | FLAC | Image (Cue & Log) ~ 590 Mb | Total time: 73:33 | Scans included
Classical | Label: Philips | # 420 113-2| Recorded: 1966, 1873

Originally released in 1966, Bernard Haitink's vivid recording of Gustav Mahler's Symphony No. 3 in D minor is coupled here with a 1973 performance of Das klagende Lied; since these are among the least performed and least familiar works in Mahler's catalog, the pairing is mutually beneficial to each, and listeners who have neither in their collections would do well to consider snapping up this affordable set. Perhaps the only flaw should be mentioned up front: though virtually no tape hiss is audible, there is a bit of an acoustic "vacuum" around the sound of the musicians, suggesting that the analog masters have been cleaned up a bit too efficiently and some resonance seems lost.