David Greco and Erin Helyard present the first Australian recording of Schubert’s masterpiece on period instruments.

Erstmals präsentiert die erfolgreiche CD-Serie die größten und bekanntesten Rocksongs der ehemaligen DDR.
Auf 3CDs im eleganten Digipack bietet diese Zusammenstellung erstmals einen übergreifenden Gesamtüberblick aller wesentlichen Hits. Dabei sind: City - Am Fenster, Puhdys - Wenn ein Mensch lebt und Alt wie ein Baum, Silly - Mont Klamott und Bataillon D´Amour, Karat - Der Blaue Planet und Über Sieben Brücken Musst Du Gehen, Renft - Wer die Rose ehrt und Neumis Rock Circus - Der Clown. Das beste des damaligen Plattenlabels "Amiga" gibt es nur auf Hit Giganten - Best Of Ostrock.

Der Frühling ist da und mit ihm die neue BRAVO Hits 125! Während Justin Timberlake mit „Selfish“ die berauschende Wirkung der Liebe besingt, betont Selena Gomez in „Love On“ den Nervenkitzel einer frischen Liebe. Neben jeder Menge Frühlingsgefühle sind dank Jason Derulo’s und Michael Bublé‘s „Spicy Margarita“ auch schon die passenden Drinks am Start. Mit Noah Kahan‘s „Stick Season“ im Ohr lassen wir die graue Jahreszeit hinter uns und freuen uns auf all die „Beautiful Things“ (Benson Boone), die die neue Ausgabe zu bieten hat. Mit dabei sind Stars wie Ariana Grande, Myles Smith, Jennifer Lopez, ISAAK, Sophie Ellis-Bextor sowie weitere exklusive upcoming Hits und aktuelle Chartstürmer!

Radical, daring and extremely refined: that’s how Carl Philipp Emanuel Bach saw his new path for the Oratorio, after his father’s Passions had marked the climax of the baroque era. Encouraged by his godfather Telemann and liberated from the yoke of the capricious Frederick of Prussia, he found himself in Hamburg with an audience hungry for new music. And he brought them his oratorios, no longer in churches but in concert halls, where he demanded the listener’s undivided attention for sudden changes of mood and colour.

2022 remastered edition. In 1975, the second album of the Berlin based electronic group Mythos was released. Mastermind Stephan Kaske and his band present the typical sound cascades and sequences of the Berlin school. Similar to the works of several other fellow artists on the same label, the album develops a science fiction concept around the story of an extraterrestrial visitor on a journey to Earth. Dreamlab is predominantly made up of peaceful and relaxed music. The meter is often determined by echoes from flutes and guitar riffs backed by expansive Mellotron arrangements. This remastered reissue comes in a digisleeve on the original Kosmische Kuriere label.

The chemistry between tradition and innovation powered Sir Simon Rattle’s relationship with the Berliner Philharmoniker, above all during his time as the orchestra’s Chief Conductor and Artistic Director (2002-2018). As the successor to Wilhelm Furtwängler, Herbert von Karajan and Claudio Abbado, his mission was to take this pre-eminent musical institution into the 21st century. “What Rattle has brought … is a new spirit of adventure,” declared The Times in 2006, and later looked back on the “exhilarating, epoch-hopping eclecticism of Simon Rattle’s era in Berlin”. Through all this Rattle preserved the orchestra’s distinctive sonority, notable, in the words of the New York Times, for its “sheer grandeur … and rich, red-blooded warmth”. He first conducted the Berliner Philharmoniker in 1987, and the recordings in this 45CD box span the years from 1994 to 2012. Very much reflecting Rattle’s vision for the orchestra, the symphonic, choral and operatic works range from pillars of Austro-German Classicism, Romanticism and Modernism through French, Russian and Czech repertoire to showcases for contemporary contemporary composers from around the world – and even a film soundtrack. As Rattle said at the end of his tenure in Berlin: “Music is for everybody, and we’ve all believed this.”

Performing on early 19th-century pianos from the Frederick Historic Piano Collection, competition prizewinners Dmitry Rachmanov, a Juilliard graduate, and Cullan Bryant, a graduate of Manhattan School of Music, explore the interrelationships between the keyboard music of Beethoven and his principal teachers in this fascinating double-album of rarities for piano four-hands, culminating in a revelatory account of the Great Fugue in Beethoven’s own keyboard arrangement. The distinctive sonorities of these highly esteemed period instruments transport the listener back to the time when Beethoven, his teachers or his own pupils, may have performed this music themselves for the first time.

Six CD set. The year 1965 suffered an unexpected detour in pop culture: starting the explosion of psychedelia and the influence of Bob Dylan's poetry, rock, as an aesthetic movement, wanted to earn the recognition that genres such as jazz or classical music had. Due to this, many virtuoso performers and complex arrangements and improvisation were incorporated to rock's catalog. That's how psychedelic rock and then progressive rock came to be. Meanwhile in Germany, and influenced by both the English rock and by German avant-garde artists such as Karlheinz Stockhausen, a new way of understand rock music was born, with poetry inspired by outer space and a remarkable use of electronics and experimentation. This musical movement was dubbed by British press as krautrock. The Krautrock And Progressive Rock Box is the definitive album that illustrates both these cultural moments, with a range of artists that never before were compiled together. The Krautrock and Progressive Box is a work of unusual magnitude that will delight not only those experts in the genres, but any fan of rock music.

2024 wieder erhältlich: Das erste & meistverkaufte Album (weltweit) von D. J. Bobo aus dem Jahr 1993, mit den Tophits: »Somebody Dance With Me«, »Everybody Keep On Dancin« und »Take Control«. Das einzige Album mit den »Original Hits«.

"Sturm Und Twang! - A Private Collection Of German Underground Pop" is a fascinating album that showcases a unique blend of German underground pop music from the 1980s and 90s. The album features a selection of tracks from various artists, each with their own distinct style and sound. So, put on your headphones, turn up the volume, and discover the magic of German underground pop.

Eckart Rahn is an untainted music lover in the purest sense. The original Kuckuck label founder came from a non-musical background in an obscure village in Germany with no money, few career prospects and little outlets for his creative energy. TIC TOC TIC TOC… Sharing a common psyche with most young Germans after the Second World War, Rahn was literally starting from scratch, inventing his future with a blank canvas and taking risks with nothing to lose. The humble beginnings of the founder of one of the longest running European independents were simple – when he eventually heard music he fell in love with it and dedicated his life to it. A man in charge of his own destiny, from this point on, Eckart Rahn was only ever going to be his own boss.

The 1973 album was her fourth solo release – another collaboration with John Cale – and was recorded in 1973 in London. Cale chose Brian Eno and Phil Manzanera of Roxy Music to work on the album with him; between them they provided the entire instrumental framework for Nico and her harmonium.This issue of The End is remastered here for the first time, and comes with a bonus disc of tracks including The End and a previously unreleased version of Das Lied der Deutschen performed live at London’s Rainbow Theatre on June 1, 1974, and some John Peel session tracks which are either unreleased or new to CD.

This compilation of German popular music represents the diversity of songs and dances that might be heard at the annual Munich Oktoberfest. This Bavarian festival, lasting for sixteen days in September and October, was first held in 1810. Since 1960, however, the Oktoberfest has become a world-famous celebration of local German food, such as würstl, pretzels and sauerkraut, and, of course, beer. There are strict regulations governing which beers can be served at the Oktoberfest; currently only six breweries are approved, all brewing beer within the Munich city limits. The music played at the Oktoberfest, in complete contrast to the exclusive nature of its beer, is highly eclectic. This compilation will evoke the atmosphere of Oktoberfest, lederhosen, the dirndl and huge steins overflowing with German beer before you even drink a drop. Prost!

I can claim possibly some very small influence on this record. Some years ago Jessye Norman broke the last and very difficult phrase of Ganymed with a breath. I then pointed out in a review that Gerald Moore (in Singer and Accompanist London: 1953) had urged singers to phrase it in one as Norman has done in recitals, and now on record, ever since. Cause and effect? I don't know. This is, in any case, one of the most rewarding performances on the record, sung with conviction and, throughout, with long-breathed phrasing.

Waxman is best known as a writer of film music, like Korngold. He was also a fine composer, again like Korngold, and in his threnody in memory of child holocaust victims, he composed a masterpiece. This work is roughly comparable in subject matter with Survivor from Warsaw, or the War Requiem, but is more accessible than the former and more sincere than the latter sounds (or so it seems to me). This is one of those odd masterpieces that should be well known but isn't. The recording is clear and immediate.