The original 1805 version of Beethoven's only opera is a high-adrenaline experience in the hands of the Belgian conductor and his period-instrument band, with Marlis Petersen in the title-role and Maximilian Schmitt as her imprisoned husband. From Leonore (1805) to Fidelio (1814) there were three successive versions of Beethoven’s opera, only the last of which has been in the repertory since the 19th Century. Going against tradition, René Jacobs has chosen to revive the earliest version, reworking the librettos and the spoken dialogue: a genuine tour de force, this still unknown Leonore forms an incomparable musical and dramatic structure requiring exemplary mastery on the part of both orchestra and singers. This landmark recording proves its case in every respect.

Freudiana was to be the 11th album by The Alan Parsons Project, but during its development, Eric Woolfson decided to turn the album into a rock opera. It was released as simply "Freudiana," and is known as the "unofficial" Alan Parsons Project album. Alan Parsons continued as a solo artist with the 1993 album Try Anything Once, which was musically in a direction more or less continued from that of 1987's Gaudi. Eric Woolfson hit upon the idea of researching the life and works of Sigmund Freud with a view to their musical potential after he finished the tenth Alan Parsons Project album Gaudi. He retraced Freud's footsteps and explored his realms through his homes in London and Vienna (both now museums) as well as literary sources including Freud's classic cases whose real identities he concealed by use of names such as Wolfman, Ratman, Dora, Little Hans, and Schreber, the Judge. In addition, Freud's writings on his discovery of the 'unconscious', his well known theories such as the 'Oedipus Complex', the 'Ego' and the 'Id' and perhaps his best known masterpiece, 'The Interpretation of Dreams' all served as springboards for musical ideas.