Sterneneisen is the tenth studio album by the German medieval rock band In Extremo. It was released in Germany, Austria and Switzerland on February 25, 2011. In Extremo was once again able to reach the top of the German music charts.

Sængerkrieg is the ninth studio album by the German medieval rock band In Extremo. It is also the band's first album to reach the top of the German charts. In songs like Sängerkrieg, the album is clearly based on the Wartburg War (also known as the Sängerkrieg) and, as always, deals with medieval depictions of love, struggles and celebrations.

Mein rasend Herz is the fifth studio album by the German band In Extremo. It was released on May 30, 2005 through Universal Records. The limited-edition disc also features the German version of "Liam".

7 is the seventh studio album by the German medieval rock band In Extremo. In addition to self-written works, 7 also contains old poems and pieces. In contrast to its predecessor Sünder ohne Reins, which included Rammstein bonds, 7 was rockier and more stylistically diverse.

Sünder ohne Zügel is the third folk metal album by the German band In Extremo. It was released in 2001 by Island Records.

With their first official rock album, Berlin's In Extremo have developed from an insider tip to one of the most popular metal acts in Germany. Wake up the dead! is a spontaneous, crisp and, above all, unprecedented record in this form. Guitars complement each other seamlessly with three bagpipes, brute drumming is in harmony with tender, medieval songs. In Extremo, traditional melodies mix with their own ideas and add robust rock to the original sounds. And so they sing their old tunes in old Norwegian, old French, Spanish, Latin, old German and German. The debut album includes the pieces "Ai Vis Lo Lop", "Totus Floreo" and "Villeman og Magnhild", which are played regularly by traveling musicians at medieval markets. The real highlights, however, are the "Palestinian Song", one of the oldest, traditional pieces in human history (in a gripping, cracking metal version) as well as the worn, highly independent "Before full bowls". In short: if you want to have a say in medieval music, you have to get this long player.

Hameln is the second acoustic album of the German folk-metal band In Extremo, consisting entirely of medieval folk motives.The name of the album, refers to the German city of Hameln, as well as the famous legend of the Pied Piper of Hameln, who saved the city from hordes of rats, however, not having received the promised payment from the avaricious burgomaster, took all the children out of the city under cover of night. after which no one has ever seen them. Characteristically, the orginal cover is adorned with a photograph of a dead rat found in the basement of a Berlin house. Like Die Goldene, Hameln was re-recorded in 2006 and released in a new format, with improved sound, different cover art and two bonus tracks.

In Extremo is a German medieval metal band originating from Berlin. The band's musical style combines metal with medieval traditional songs, blending the sound of the standard rock/metal instruments with historical instruments (such as bagpipes, harp, hurdy-gurdy and shawm). Versions of well-known traditional/medieval ballads make up the main part of their repertoire, but the band has written an increasing share of original material in recent years. Their own material is written in German, whilst the traditional songs and cover songs are in a variety of languages. In August 1996, they began work on the first In Extremo album, which already contained two tracks of the new rock project. Because the album had no official name, it became known as Gold because of the golden cover. In February 1997, like the single Der Galgen (engl. "The Gallows"), it quickly sold out in Medieval markets. The 2006 reissue, Die Goldene, contains two acoustic bonus tracks, including an alternate version of Villeman og Manhild.

In Extremo released the 13th studio album "Kompass zur Sonne" with twelve brand new tracks. The deluxe CD features two more tracks. The new work, like the studio predecessor "Quid Pro Quo", was recorded in the Principal Studios with producer Vincent Sorg (Die Toten Hosen, Broilers and others) in Westphalian Senden.