Wolfgang Flür began his solo career in the mid-'90s, a decade after leaving Kraftwerk, with a Mouse on Mars-produced album under the name Yamo. He's since put out music under his own name, and has become more active since the 2000s, even if he hasn't been prolific on an album level. 2015's Eloquence (Complete Works) included collaborations with Meat Beat Manifesto's Jack Dangers, Anni Hogan, and (as a bonus track) Pizzicato Five's Maki Nomiya, as well as a previously issued single sharing the name of his controversial memoir, "I Was a Robot." (The other members of Kraftwerk took Flür to court over some of the book's contents, following its initial German publication.)

Kraftwerk's Wolfgang Flur in collaboration with U96. There are few genres in which German artists play such a central pioneering role as they do in electronic music, be it techno, electropop, trance or rave. At the frontline for many years were Kraftwerk and U96, two absolute trailblazers of this musical direction. While Kraftwerk wrote international music history mainly in the 1970s with cult albums such as Autobahn (1974), Radio-Aktivit?t (1975), Trans Europa Express (1977) and Die Mensch-Maschine (1978), U96 had a profound influence on the global pop music, rave and techno scene of the 1990s with hits such as 'Das Boot', 'Love Sees No Colour', 'Night In Motion' and 'Heaven'./quote]