‘A dancer’s blood runs in my veins’ announces the heroine of Léhar’s Giuditta in the beguiling bolero-cum-waltz ‘Meine Lippen, sie küssen so heiß!’ which blazes into life around fifteen minutes into today’s Recording of the Week from Egyptian soprano Fatma Said, the Orchestre Philharmonique de Monte-Carlo and special guests including lutenist David Bergmüller, Quinteto Ángel and the vision string quartet.

Orpheus in the Underworld represents a quantum leap in Offenbach’s operetta output, for it would have been unthinkable to have created a stage work of such opulence and extravagance in Paris prior to that time. Strict regulations dating from the era of Napoleon I assigned to each of the city’s theatres a specific dramatic genre and a proportionate number of employees and performers. For Offenbach this meant writing for no more than three actors on stage at any one time. He openly flouted the regulations, however, ingeniously increasing his dramatic possibilities by adding puppets to his cast list and conveying what he had to say by means of banners held up by mute actors.

Schönbrunn Palace in Vienna is once again this year the beautiful backdrop for a classical music concert in a class of its own. Every year, the famous summer night concert of the Vienna Philharmonic Orchestra takes place there. This year, the orchestra is conducted by Valery Gergiev, who has been working with the Vienna Philharmonic Orchestra for many years. For the first time this year, the German world star Jonas Kaufmann will be the star guest at the Summer Night Concert. The programme is still secret, but as every year it will be a particularly beautiful mixture of classical hits and special works by Richard Strauss, Richard Wagner, Jacques Offenbach, Jules Massenet, Felix Mendelssohn-Bartholdy, Emmerich Kálmán, Maurice Jarre, Aram Khachaturian and Giacomo Puccini.

He was born in Cologne, but it was in Paris that Jacques Offenbach achieved fame. A special feature of this 30-CD collection are star-studded recordings in both French and German of his most celebrated operettas – works that overflow with joie de vivre and satirical wit – and of Les Contes d’Hoffmann, an opera that daringly fuses fantasy, comedy and tragedy. It also includes irresistibly stylish performances of such tempting rarities as Les Brigands, Pomme d’Api, Monsieur Choufleuri and Mesdames de la Halle.