Ambient/downtempo is not the style primarily associated with conceptual symphonies, but the one-man project Schiller (Christopher von Deylen) pulls it off remarkably well on Atemlos (Breathless), mostly by a clever mix of different types of musical material. The atmospheric bits that form the majority of Atemlos are tempered by straight-on Europop recorded with the help of guest vocalists, all of whom recite their lines in slightly pompous half-whispers typical for new age, but still to good result: the otherworldly-but-catchy dance pieces - with the occasional bit of pop/rock instrumentation - go a long way toward explaining why the record charted in the German Top Three…

Opus is a Schiller album whose shades and textures are inspired by classical music. It owes its freedom and melodic concentration to Christopher von Deylen s defined sense of being at home in the electronic world. His imaginative thinking does not lead to disorientation, but rather to an expanded, clear and panoramic view of the emotionalizing world of accentuated sounds, and rhythmic passions. Crossover is a term often used to refer to musicians and artists who diversify, and work in alternative genres. Christopher von Deylen clearly knows only too well that labels, and tags, only tell some of the story, and that the quest for compromise can lead to a dangerously seductive over-simplification. With Schiller, he has defied categorisation for some 15 years…

The album series "Die Einlassmusik" from Schiller started in 2004. The music is exclusively composed for the regular live tours from Schiller and is played there as pre-show introduction to make the waiting time for the audience more pleasant. All albums are (officially) only sold at the merchandising area of each concert and the online Schiller Shop.

Live Erleben is the first live album from German electronical musician, composer and producer Christopher von Deylen under his Schiller alias. As with Sehnsucht Live, the performances on Live Erleben often add a little dramatic flair to their studio-album counterparts, thought the mood remains relaxing. The highlights here tend to feature vocal collaborations, as heard on “Delicately Yours” and “Distance” (both with Kim Sanders), “The Smile” (with Sarah Brightman), and “I’ve Seen It All” (with Maya Saban), and plenty of in-rhythm handclaps from the audience. The album achieved gold status in Germany in 2016.

Symphonia is a live album of the music project Schiller, created by the German electronic musician Christopher von Deylen. The album was released on October 17, 2014. The album is a live recording of the "Schiller meets Classic" open air concert with the Berlin Symphonic Pop Orchestra at the Classic Open Air 2014 event on the Gendarmenmarkt in Berlin. The orchestra consisted of 60 musicians. On this album Schiller has collaborated with the singers Midge Ure, Jaël Malli, Eva Mali and Der Graf from Unheilig. The album reached in its first week number 4 of the German albums chart.

"My name is Christopher von Deylen - and I am Schiller." At some point during every Schiller concert, von Deylen speaks these ten words and the crowd goes wild. Schiller’s ethereal “global pop”, as his fans and the press have coined the style, gives the listener a feeling of floating in a dream world. Inspired by electronic classics such as Tangerine Dream, Kraftwerk, and Jean-Michel Jarre, von Deylen is known for creating visionary sounds that are way ahead of their time.
"Timeline: The Very Best of 1998-2011" looks back on Schiller’s accomplishments through the years as it chronicles the best and most important songs of Schiller’s career - compiling noteworthy tracks from prior albums such as Zeitgeist, Voyage, Day and Night, and Desire. Guest artists include Nadia Ali, Colbie Caillat, Chinese pianist Lang Lang, Indonesian-French artist Anggun, and more.

"Tag Und Nacht", like other Schiller studio albums before it, balances dancefloor material with lush, downtempo electronica. Once again, the majority of the tracks are instrumental, while a handful are full-blown songs with spoken word poetry and ethereal guest vocalists; Culture Beat's Kim Sanders returns, but the highest profile collaboration is with electronic music pioneer Mike Oldfield on "Morgentau." The mood here tends to fall somewhere between tranquil and somber: it can be enjoyed as a deep listening experience or left unobtrusively in the background.

Featuring some of Schiller’s most restrained, stripped-down production output, the largely dreamlike "Sehnsucht" is formatted like his other studio albums, with vocal and instrumental tracks both part of the makeup. However, several tracks are ambient in the truest sense, consisting strictly of atmospheric wash and no beats. The album features collaboration with several established artists like Xavier Naidoo, Jaël, Kim Sanders, and Klaus Schulze among others.

With more than seven million records sold, sold-out tours, countless gold and platinum awards and many other awards (including Echo, Opus) SCHILLER is not only the most successful German electronic artist ever - Christopher von Deylen has been among the stylistically pioneering for two decades and most influential electronic pop music artists. With ‘Morgenstund’, the long-awaited new SCHILLER studio album finally appears on March 15, 2019. It is the follow-up to the long-player ‘Future’, which appeared in February 2016 and reached number one on the official German album charts. With ‘Morgenstund’ Deylen also celebrates his official debut at the new label RCA Germany.